photograph. By the same token, the complete transformation 
of human sense-awareness by this form involves a development 
of self-consciousness that alters facial expression and 
cosmetic makeup as immediately as it does our bodily stance, 
in public or in private. This fact can be gleaned from any 
magazine or movie of fifteen years back. It is not too much to 
say, therefore, that if outer posture is affected by the 
photograph, so with our inner postures and the dialogue with 
ourselves. The age of Jung and Freud is, above all, the age of 
the photograph, the age of the full gamut of self-critical 
attitudes.

     This immense tidying-up of our inner lives, motivated by 
the new picture gestalt  culture, has had its obvious parallels in 
our attempts to rearrange our homes and gardens and our 
cities. To see a photograph of the local slum makes the